Master of Arts (English) offers a detailed study of English Literature. The programme provides a bright career like journalism, content writing, teacher, translator, etc. It increases knowledge of English language, both in writing and speaking.
Bachelors degree of any recognized university or professional degree.
| Sr.No. | Name of the subject | Subject Code | Semester | Credit | SLM | Syllabus | Assingment |
|---|---|---|---|---|---|---|---|
| 1. | Indian Writing in English | MEG-101 | Sem-1 | 4 | View | View | View |
| 2. | History of English Literature (1550–1660) | MEG-102 | Sem-1 | 4 | View | View | View |
| 3. | Western Literary Criticism | MEG-103 | Sem-1 | 4 | View | View | View |
| 4. | Translation Studies | MEG-104 | Sem-1 | 4 | View | View | .View |
| 5. | Film Studies | MEG-105 | Sem-1 | 4 | View | View | View |
| 6. | Research Methodology | MEG-106 | Sem-1 | 2 | View | View | View |
Students evaluation will be carried out by two ways
All the assignment is prescribed for the course are compulsorily to be submitted within the prescribed time limit and before the term End Examination.
Every student has to secure his admission in the first, Second and third years in the mouths of August/February. After the admission, the first exam will be held in the next July/January months. In means that the students can appear at the exam after one year. They can not appear the completion of one year.
Name: Dr. Ankit Kumar Parmar
Designation: Assistant Professor
Contact Number: 9898053609
Timing: 10.40 A.M. to 6.10 P.M.
| Sr. No. | Name of Course/Subject | Course Code | Semester / Year | Credit | Unit | Unit Title | Video | SLM | Self-assessment Tests through Tests, Assignments and quizzes |
|---|---|---|---|---|---|---|---|---|---|
| 1 | INDIAN WRITING IN ENGLISH | MEG-101 | 1 | 4 | 1 | INTRODUCTION (FROM K. R. SRINIVASA IYENGAR'S INDIAN WRITING IN ENGLISH) | |||
| 2 | INDIAN WRITING IN ENGLISH | MEG-101 | 1 | 4 | 2 | THE RENAISSANCE IN INDIA (FROM K. R. SRINIVASA IYENGAR'S INDIAN WRITING IN ENGLISH) | |||
| 3 | INDIAN WRITING IN ENGLISH | MEG-101 | 1 | 4 | 3 | GANDHI LITERATURE (FROM K. R. SRINIVASA IYENGAR'S INDIAN WRITING IN ENGLISH) | |||
| 4 | INDIAN WRITING IN ENGLISH | MEG-101 | 1 | 4 | 4 | TORU DUTT: 'OUR CASUARINA TREE' AND 'SITA' | 🎥 Video | ||
| 5 | INDIAN WRITING IN ENGLISH | MEG-101 | 1 | 4 | 5 | HENRY DEROZIO: 'TO INDIA MY NATIVE LAND' AND 'ASPIRATIONS' | 🎥 Video | ||
| 6 | INDIAN WRITING IN ENGLISH | MEG-101 | 1 | 4 | 5 | HENRY DEROZIO: 'TO INDIA MY NATIVE LAND' AND 'ASPIRATIONS' | 🎥 Video | ||
| 7 | INDIAN WRITING IN ENGLISH | MEG-101 | 1 | 4 | 6 | MICHAEL MADHUSUDAN DUTT: SONNETS I AND II | 🎥 Video | ||
| 8 | INDIAN WRITING IN ENGLISH | MEG-101 | 1 | 4 | 7 | RAJA RAM MOHAN ROY: LETTERS ON ABOLITION OF SUTTEE AND A LETTER ON ENGLISH EDUCATION | |||
| 9 | INDIAN WRITING IN ENGLISH | MEG-101 | 1 | 4 | 8 | SWAMI VIVEKANANDA: 'THE IDEAL OF UNIVERSAL RELIGION' (NEW YORK, 1896) | |||
| 10 | INDIAN WRITING IN ENGLISH | MEG-101 | 1 | 4 | 9 | SRI AUROBINDO: 'INDIAN CULTURE AND EXTERNAL INFLUENCE' | |||
| 11 | INDIAN WRITING IN ENGLISH | MEG-101 | 1 | 4 | 10 | K. S. VENKATARAMANI: SHORT STORY 'INDUMATI' | |||
| 12 | INDIAN WRITING IN ENGLISH | MEG-101 | 1 | 4 | 11 | RAJA RAO: SHORT STORY 'AKKAYYA' | |||
| 13 | INDIAN WRITING IN ENGLISH | MEG-101 | 1 | 4 | 12 | MULK RAJ ANAND: NOVEL UNTOUCHABLE | |||
| 14 | INDIAN WRITING IN ENGLISH | MEG-101 | 1 | 4 | 13 | JAYANTA MAHAPATRA: 'HUNGER' AND 'DAWN AT PURI' | |||
| 15 | INDIAN WRITING IN ENGLISH | MEG-101 | 1 | 4 | 14 | KAMALA DAS: 'SUMMER IN CALCUTTA' AND 'AN INTRODUCTION' | |||
| 16 | INDIAN WRITING IN ENGLISH | MEG-101 | 1 | 4 | 15 | NISSIM EZEKIEL: 'NIGHT OF THE SCORPION' AND 'THE PATRIOT' | |||
| 17 | INDIAN WRITING IN ENGLISH | MEG-101 | 1 | 4 | 16 | J. KRISHNAMURTI: 'LOVE' (FROM EDUCATION AS SERVICE) | |||
| 18 | INDIAN WRITING IN ENGLISH | MEG-101 | 1 | 4 | 17 | MAHATMA GANDHI: INDIA OF MY DREAMS – CHAPTER I | |||
| 19 | INDIAN WRITING IN ENGLISH | MEG-101 | 1 | 4 | 18 | DR. B. R. AMBEDKAR: 'CASTES IN INDIA' | |||
| 20 | INDIAN WRITING IN ENGLISH | MEG-101 | 1 | 4 | 19 | R. K. NARAYAN: SWAMI AND FRIENDS (1935) | |||
| 21 | INDIAN WRITING IN ENGLISH | MEG-101 | 1 | 4 | 20 | ARUN JOSHI: THE STRANGE CASE OF BILLY BISWAS (1971) | |||
| 22 | INDIAN WRITING IN ENGLISH | MEG-101 | 1 | 4 | 21 | JHUMPA LAHIRI: THE LOWLAND (2013) | 🎥 Video | ||
| 23 | INDIAN WRITING IN ENGLISH | MEG-101 | 1 | 4 | 22 | MAHESH DATTANI: FINAL SOLUTIONS (1993) | |||
| 24 | INDIAN WRITING IN ENGLISH | MEG-101 | 1 | 4 | 23 | MANJULA PADMANABHAN: HARVEST (1996) | 🎥 Video | ||
| 25 | INDIAN WRITING IN ENGLISH | MEG-101 | 1 | 4 | 24 | GIRISH KARNAD: HAYAVADANA (1971) | |||
| 26 | HISTORY OF ENGLISH LITERATURE I (1550-1660) | MEG-102 | 1 | 4 | 1 | INTRODUCTION TO THE ELIZABETHAN AGE UP TO THE RESTORATION AGE | 🎥 Video | ||
| 27 | HISTORY OF ENGLISH LITERATURE I (1550-1660) | MEG-102 | 1 | 4 | 2 | INTRODUCTION TO THE ELIZABETHAN AGE AND THE CAROLINE AGE | |||
| 28 | HISTORY OF ENGLISH LITERATURE I (1550-1660) | MEG-102 | 1 | 4 | 3 | SONNET | |||
| 29 | HISTORY OF ENGLISH LITERATURE I (1550-1660) | MEG-102 | 1 | 4 | 4 | FRANCIS BACON'S ESSAYS | |||
| 30 | HISTORY OF ENGLISH LITERATURE I (1550-1660) | MEG-102 | 1 | 4 | 5 | BEN JONSON'S ESSAYS | |||
| 31 | HISTORY OF ENGLISH LITERATURE I (1550-1660) | MEG-102 | 1 | 4 | 6 | MILTON'S AREOPAGITICA | 🎥 Video | ||
| 32 | HISTORY OF ENGLISH LITERATURE I (1550-1660) | MEG-102 | 1 | 4 | 7 | CHRISTOPHER MARLOWE'S DOCTOR FAUSTUS | |||
| 33 | HISTORY OF ENGLISH LITERATURE I (1550-1660) | MEG-102 | 1 | 4 | 8 | SHAKESPEARE'S THE MERCHANT OF VENICE | 🎥 Video | ||
| 34 | HISTORY OF ENGLISH LITERATURE I (1550-1660) | MEG-102 | 1 | 4 | 9 | JOHN WEBSTER'S THE WHITE DEVIL | |||
| 35 | HISTORY OF ENGLISH LITERATURE I (1550-1660) | MEG-102 | 1 | 4 | 10 | JOHN DONNE: 'DEATH, BE NOT PROUD', 'THE CANONIZATION', 'A VALEDICTION: FORBIDDING MOURNING' | 🎥 Video | ||
| 36 | HISTORY OF ENGLISH LITERATURE I (1550-1660) | MEG-102 | 1 | 4 | 11 | ANDREW MARVELL: 'TO HIS COY MISTRESS', 'THE GARDEN' | |||
| 37 | HISTORY OF ENGLISH LITERATURE I (1550-1660) | MEG-102 | 1 | 4 | 12 | EPIC AS A LITERARY GENRE | 🎥 Video | ||
| 38 | HISTORY OF ENGLISH LITERATURE I (1550-1660) | MEG-102 | 1 | 4 | 13 | PARADISE LOST: OVERVIEW | 🎥 Video | ||
| 39 | HISTORY OF ENGLISH LITERATURE I (1550-1660) | MEG-102 | 1 | 4 | 14 | PARADISE LOST – BOOKS I AND II | |||
| 40 | WESTERN LITERARY CRITICISM | MEG-103 | 1 | 4 | 1 | INTRODUCTION TO LITERARY CRITICISM | 🎥 Video | ||
| 41 | WESTERN LITERARY CRITICISM | MEG-103 | 1 | 4 | 2 | PLATO: HIS ATTACK ON POETRY | 🎥 Video | ||
| 42 | WESTERN LITERARY CRITICISM | MEG-103 | 1 | 4 | 3 | ARISTOTLE'S POETICS: AN OVERVIEW | 🎥 Video | ||
| 43 | WESTERN LITERARY CRITICISM | MEG-103 | 1 | 4 | 4 | ARISTOTLE'S POETICS: TEXT | 🎥 Video | ||
| 44 | WESTERN LITERARY CRITICISM | MEG-103 | 1 | 4 | 5 | LONGINUS: ON THE SUBLIME | |||
| 45 | WESTERN LITERARY CRITICISM | MEG-103 | 1 | 4 | 6 | SIR PHILIP SIDNEY: AN APOLOGY FOR POETRY | 🎥 Video | ||
| 46 | WESTERN LITERARY CRITICISM | MEG-103 | 1 | 4 | 7 | JOHN DRYDEN: ESSAY OF DRAMATIC POESY | 🎥 Video | ||
| 47 | WESTERN LITERARY CRITICISM | MEG-103 | 1 | 4 | 7 | JOHN DRYDEN: ESSAY OF DRAMATIC POESY | 🎥 Video | ||
| 48 | WESTERN LITERARY CRITICISM | MEG-103 | 1 | 4 | 7 | JOHN DRYDEN: ESSAY OF DRAMATIC POESY | 🎥 Video | ||
| 49 | WESTERN LITERARY CRITICISM | MEG-103 | 1 | 4 | 8 | ALEXANDER POPE: AN ESSAY ON CRITICISM | |||
| 50 | WESTERN LITERARY CRITICISM | MEG-103 | 1 | 4 | 9 | DR. SAMUEL JOHNSON: A PREFACE TO SHAKESPEARE | |||
| 51 | WESTERN LITERARY CRITICISM | MEG-103 | 1 | 4 | 10 | WILLIAM WORDSWORTH: PREFACE TO LYRICAL BALLADS (1802) | 🎥 Video | ||
| 52 | WESTERN LITERARY CRITICISM | MEG-103 | 1 | 4 | 10 | WILLIAM WORDSWORTH: PREFACE TO LYRICAL BALLADS (1802) | 🎥 Video | ||
| 53 | WESTERN LITERARY CRITICISM | MEG-103 | 1 | 4 | 10 | WILLIAM WORDSWORTH: PREFACE TO LYRICAL BALLADS (1802) | 🎥 Video | ||
| 54 | WESTERN LITERARY CRITICISM | MEG-103 | 1 | 4 | 11 | S. T. COLERIDGE: SELECTIONS FROM BIOGRAPHIA LITERARIA | 🎥 Video | ||
| 55 | WESTERN LITERARY CRITICISM | MEG-103 | 1 | 4 | 12 | MARY WOLLSTONECRAFT: A VINDICATION OF THE RIGHTS OF WOMAN | |||
| 56 | WESTERN LITERARY CRITICISM | MEG-103 | 1 | 4 | 13 | MATTHEW ARNOLD: THE FUNCTION OF CRITICISM | |||
| 57 | WESTERN LITERARY CRITICISM | MEG-103 | 1 | 4 | 14 | AESTHETIC MOVEMENT BY WALTER PATER | |||
| 58 | WESTERN LITERARY CRITICISM | MEG-103 | 1 | 4 | 15 | T. S. ELIOT: TRADITION AND INDIVIDUAL TALENT | |||
| 59 | TRANSLATION STUDIES | MEG-104 | 1 | 4 | 1 | TRANSLATION: CONCEPT AND NATURE | 🎥 Video | ||
| 60 | TRANSLATION STUDIES | MEG-104 | 1 | 4 | 2 | IMPORTANCE AND RELEVANCE OF TRANSLATION | |||
| 61 | TRANSLATION STUDIES | MEG-104 | 1 | 4 | 3 | TRANSLATION BEFORE THE RENAISSANCE | 🎥 Video | ||
| 62 | TRANSLATION STUDIES | MEG-104 | 1 | 4 | 4 | TRANSLATION FROM THE RENAISSANCE TO THE MODERN PERIOD | 🎥 Video | ||
| 63 | TRANSLATION STUDIES | MEG-104 | 1 | 4 | 5 | TRANSLATION IN THE CONTEMPORARY TIME | 🎥 Video | ||
| 64 | TRANSLATION STUDIES | MEG-104 | 1 | 4 | 6 | DRYDEN'S CLASSIFICATION | 🎥 Video | ||
| 65 | TRANSLATION STUDIES | MEG-104 | 1 | 4 | 7 | ROMAN JAKOBSON'S CLASSIFICATION | 🎥 Video | ||
| 66 | TRANSLATION STUDIES | MEG-104 | 1 | 4 | 7 | ROMAN JAKOBSON'S CLASSIFICATION | 🎥 Video | ||
| 67 | TRANSLATION STUDIES | MEG-104 | 1 | 4 | 7 | ROMAN JAKOBSON'S CLASSIFICATION | 🎥 Video | ||
| 68 | TRANSLATION STUDIES | MEG-104 | 1 | 4 | 8 | LITERAL TRANSLATION | |||
| 69 | TRANSLATION STUDIES | MEG-104 | 1 | 4 | 9 | LITERARY TRANSLATION | |||
| 70 | TRANSLATION STUDIES | MEG-104 | 1 | 4 | 10 | EUGENE NIDA'S MODEL OF TRANSLATION | 🎥 Video | ||
| 71 | TRANSLATION STUDIES | MEG-104 | 1 | 4 | 10 | EUGENE NIDA'S MODEL OF TRANSLATION | 🎥 Video | ||
| 72 | TRANSLATION STUDIES | MEG-104 | 1 | 4 | 11 | WOLFRAM WILSS'S MODEL OF TRANSLATION | |||
| 73 | TRANSLATION STUDIES | MEG-104 | 1 | 4 | 12 | GEORGE STEINER'S TRANSLATION | |||
| 74 | TRANSLATION STUDIES | MEG-104 | 1 | 4 | 13 | LINGUISTIC PROBLEMS IN TRANSLATION | |||
| 75 | TRANSLATION STUDIES | MEG-104 | 1 | 4 | 14 | CULTURAL PROBLEMS IN TRANSLATION | |||
| 76 | TRANSLATION STUDIES | MEG-104 | 1 | 4 | 15 | THE PROBLEM OF UNTRANSLATABILITY | |||
| 77 | TRANSLATION STUDIES | MEG-104 | 1 | 4 | 16 | PURE STUDIES | |||
| 78 | TRANSLATION STUDIES | MEG-104 | 1 | 4 | 17 | APPLIED STUDIES | |||
| 79 | TRANSLATION STUDIES | MEG-104 | 1 | 4 | 18 | STRATEGIES OF TRANSLATION | |||
| 80 | FILM STUDIES | MEG-105 | 1 | 4 | 1 | FILM AS TEXT AND NARRATIVE | 🎥 Video | ||
| 81 | FILM STUDIES | MEG-105 | 1 | 4 | 2 | STORY, PLOT, AND NARRATION IN FILM | |||
| 82 | FILM STUDIES | MEG-105 | 1 | 4 | 3 | CHARACTER, CONFLICT, AND THEME | |||
| 83 | FILM STUDIES | MEG-105 | 1 | 4 | 4 | EARLY INDIAN CINEMA | 🎥 Video | ||
| 84 | FILM STUDIES | MEG-105 | 1 | 4 | 5 | THE MYTHOLOGICAL FILMS | |||
| 85 | FILM STUDIES | MEG-105 | 1 | 4 | 6 | SOCIAL FILM | 🎥 Video | ||
| 86 | FILM STUDIES | MEG-105 | 1 | 4 | 7 | ELEMENTS OF CINEMA: SOUND | 🎥 Video | ||
| 87 | FILM STUDIES | MEG-105 | 1 | 4 | 8 | FILM GENRE | 🎥 Video | ||
| 88 | FILM STUDIES | MEG-105 | 1 | 4 | 9 | FILM AND THE NOVEL | |||
| 89 | FILM STUDIES | MEG-105 | 1 | 4 | 10 | ADAPTATION AS INTERPRETATION | |||
| 90 | FILM STUDIES | MEG-105 | 1 | 4 | 11 | THE QUESTION OF FIDELITY | |||
| 91 | FILM STUDIES | MEG-105 | 1 | 4 | 12 | GENDER AND REPRESENTATION | |||
| 92 | FILM STUDIES | MEG-105 | 1 | 4 | 13 | CLASS, CASTE, AND POWER | |||
| 93 | FILM STUDIES | MEG-105 | 1 | 4 | 14 | NATION, HISTORY, AND MEMORY | |||
| 94 | RESEARCH METHODOLOGY | MEG-106 | 1 | 2 | 1 | INTRODUCTION TO RESEARCH IN ENGLISH STUDIES | |||
| 95 | RESEARCH METHODOLOGY | MEG-106 | 1 | 2 | 2 | TYPES OF RESEARCH IN ENGLISH STUDIES | |||
| 96 | RESEARCH METHODOLOGY | MEG-106 | 1 | 2 | 3 | RESEARCH ETHICS AND ACADEMIC INTEGRITY | |||
| 97 | RESEARCH METHODOLOGY | MEG-106 | 1 | 2 | 4 | LITERATURE REVIEW: CONCEPT AND PRACTICE | |||
| 98 | RESEARCH METHODOLOGY | MEG-106 | 1 | 2 | 5 | IDENTIFYING A RESEARCH TOPIC AND PROBLEM | |||
| 99 | RESEARCH METHODOLOGY | MEG-106 | 1 | 2 | 6 | RESEARCH QUESTIONS, OBJECTIVES, SCOPE, AND LIMITATIONS | |||
| 100 | RESEARCH METHODOLOGY | MEG-106 | 1 | 2 | 7 | STRUCTURE OF A RESEARCH PROPOSAL | |||
| 101 | RESEARCH METHODOLOGY | MEG-106 | 1 | 2 | 8 | WRITING AND REVISING THE RESEARCH PROPOSAL |
